“If you want to really hurt your parents …

“If you want to really hurt your parents, and you don’t have the nerve to be gay, the least you can do is go into the arts. I’m not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” 

― Kurt Vonnegut, A Man Without a Country

5 Artists Who Love Painting Female Nudes

5 ARTISTS WHO LOVE PAINTING FEMALE NUDES

by CHRISTOPHER SMAIL

 

nude-paintings-1
A collaborative painting between Tracey Emin and the late, great Louise Bourgeois.

Nude art has been represented in paintings and statues since prehistory. From a liberal view in the Classical period to a conservative outlook in the Middle Ages, as well as more ups and downs in the Renaissance and Victorian eras. We now exist in an age in which body related taboos seem to be less of an issue to a Western audience, as the media is saturated with sexual and beautified imagery.

Continue reading “5 Artists Who Love Painting Female Nudes”

STRī Avalekha – A Collection of Works From The Archive

STRiSwaraj Art Archive presents an exhibition of over 300 works, exploring the female form, spanning from the pre-independence to the post-independence era. Divided into five sub-concepts, the exhibition is spread across time, mediums, scales and histories presenting the woman as a lover, a mother with her child, a person of imminence, a deity, and the nude.

Continue reading “STRī Avalekha – A Collection of Works From The Archive”

The Portrayal of Women in Art: 1962-2002

April 6, 2010 by curatorialintern

 

Girl with Red Hair, 1962. Jack LeVine (b. 1925). Oil on canas, 32 x 26 in. New Britain Museum of American Art, Gift of Mr. and Mrs. Donald Davis, 2003.13.
Girl with Red Hair, 1962. Jack LeVine (b. 1925). Oil on canas, 32 x 26 in. New Britain Museum of American Art, Gift of Mr. and Mrs. Donald Davis, 2003.13.

We have, more or less, as an audience become used to the idealized depiction of women. Often, particularly in classical styles, they were portrayed as reclining nudes who were there for the viewer’s pleasure. With averted eyes, they touched themselves sensually, typically innocent and oblivious that there is someone painting her for all to see. When they weren’t sexual-fantasy fodder, they were servile and obedient–particularly in the 1940’s and 1950’s after the end of the strong women era of World War II. They wore their hair in perfect curls, with their perfect dresses and worked merrily away in their perfect kitchens.  In Jack Levine’s Girl with Red Hair  there is a shift away from the perfect, care-free woman that came before. Rather, nudity is embraced as an aspect of the woman’s power rather than the viewer’s object. The subject confronts the viewer with her gaze. This portrait is not a portrait of a naked girl, but rather, a girl who happens to be naked. There is no trace of sexiness or sensuality–we are drawn to her face so that we may attempt to discern what this girl is thinking. Though her breasts are there, they are poorly rendered compared to the depth of her face and do not trap the eye like the neatly depicted flesh of the reclining nudes.Continue reading “The Portrayal of Women in Art: 1962-2002”

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